Many are the things that come to mind when one speaks about Poland. History is at the first, with culture and tradition next, as well as natural and man-made wonders. Hiring a great production coordinator in Poland is easy if you just know what to look for.

How to hire the best production coordinator in Poland

The first question you should ask yourself is, what is this person going to be doing for your production. Hiring the ideal production coordinator in Poland starts with the job description of the individual. Is the coordinator just assisting on the set and making the right decisions on time. Is he or she responsible for things outside the set, like the logistics of moving the crew from location A to B, and so on? Are they involved in things like processing, post-editing, video, and audio work?

When you have a clear picture of what your ideal production coordinator in Poland has to look like, then you can move on. Start looking for these people by professional film solutions companies. There are many of those in Warsaw, the capital city of Poland, as well as in the larger cities of the country, like Krakow or Gdansk. If you can’t find them there, go online and look for freelance coordinators, on one of the many film jobs aggregators. And if that doesn’t do the trick, walk into any filming equipment shop and ask there.

What should you test your future coordinator for, before hiring them? Language first and foremost. See if they can speak and write in impeccable English, besides Polish. Technicalities, second. See if your coordinator knows how to operate a shooting day schedule, a camera crane, and editing software. They should be familiar with these. Third, communication. If they are fun but also professional, you might be looking at the right person.

How to ensure a great production in Poland

Poland is famous around the world for some gruesome historical events and locations. Places like the Nazis’ concentration camps are among the most visited spots in this country. Chances are your production will have something to do with these spots, and if they do so, make sure you pay your respects to the victims of the camps when you release your production. Hiring a production coordinator in and around the camps should be easier, as a lot of people working in film have also worked in tourism as guides, for example.

These people are familiar with the subjects at hand, so hiring a production coordinator in Poland will be a much more facile happening. A must-do when in Poland and planning to shoot at one of these locations is asking for permits. They’re usually free, but keep in mind that these historic sights have to be kept in good conditions for the world to know what has happened there. Donations are usually encouraged, and of great help for people working to preserve the locations.